Purple Robe and Anemones :: Essays Papers

Purple Robe and AnemonesHenri Matisse, the leader of the Fauvist movement and master of aesthetical order, was born in Le Cateau-Cambresis in northern France on celestial latitude 31, 1869. The son of a middle-class family, he studied and began to practice law. In 1890, however, while recovering slowly from an attack of appendicitis, his mother bought him a key fruit set and he became intrigued by the practice of pic. In 1892, having given up his law career, he went to Paris to study art formally. His first teachers were academically trained and relatively conservative, Matisses own early style was a conventional form of naturalism, and he made many copies after the out of date masters. He also studied more contemporary art, especially that of the impressionists, and he began to experiment, earning a reputation as a rebellious member of his studio classes. Matisses true artistic liberation, in terms of the use of food coloring to render forms and organize spatial planes, came a bout first through the bow of Gauguin, Cezanne and van Gogh, whose work he studied closely. Then, Matisse encountered the pointillist painting of Edmond Cross and Signac. By 1905 he had produced some of the boldest color images ever created. His images of dancers, and of human figures in general, coquet expressive form first and the particular details of anatomy sole(prenominal) secondarily. Although intellectually sophisticated, Matisse always emphasized the importance of instinct and intuition in the production of a work of art. He argued that an artist did non pretend complete control over color and form instead, colors, shapes, and lines would come to ordain to the sensitive artist how they might be employed in congener to one another. He often emphasized his joy in abandoning himself to the play of the forces of color and design. He explained the rhythmic, but distorted, forms of many of his figures in terms of the work out of a total pictorial harmony. In 1937, Matiss e asked his model Lydia Delectorskaya to go under in a purple robe, for a painting he after named Purple Robe and Anemones. When Matisse started the painting he had no intention of painting a portrait that looked like a photograph and readily admitted that his paintings were not faithful re-creations of reality. He believed that taking liberties with reality allowed him to convey the very centerfield of his subject. When accused of painting unrealistic images of women, he explained, I do not create a woman, I make a picture.